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Frederic Chaslin currently holds the position of Music Director of the Jerusalem Symphony Orchestra. For further updated information visit www.chaslin.com
FRÉDÉRIC CHASLIN
Conductor, pianist, composer and author, Frédéric Chaslin was born in Paris and educated at the Paris Conservatoire and the Salzburg Mozarteum. He began his conducting career in 1989 as assistant to Daniel Barenboim in Paris Cand Bayreuth. He became Pierre Boulez’s assistant at the Ensemble Intercontemporain in Paris in 1991.
Mr. Chaslin served four seasons with the Santa Fe Opera Festival making his Santa Fe Opera debut in 2009 conducting Verdi’s La Traviata and then opening the 2011 season with conducting Gounod’s Faust. Subsequently he was named the company’s Chief Conductor, and led Rossini's Maometto II and Puccini's Tosca.
Major international festivals and opera companies at which Mr. Chaslin has appeared include leading houses in New York, Berlin, Munich, Leipzig, Madrid, Barcelona, Rome, Venice, Scotland, and Wales. He has also led all the major Parisian orchestras, the Vienna Symphony and Philharmonic, the Manchester Hallé, and the London Symphony and Philharmonia.
Mr. Chaslin, who served as music director at Rouen Opera for three years, made his international début in 1993 at Austria’s Bregenz Festival, where he conducted for four seasons and collaborated with David Pountney on notable productions of Nabucco and Fidelio. He served as the chief conductor of the Jerusalem Symphony Orchestra from 1999 to 2002, and was a resident conductor at the Vienna Staatsoper starting in 1997, conducting more than 110 performances of major repertory. He was named general music director of Germany’s Nationaltheater Mannheim in 2005. Mr. Chaslin recently completed a series of Tosca performances for the New National Tokyo Theatre and will return there in the fall of 2010 to conduct Andrea Chénier.
Mr. Chaslin made his Metropolitan Opera debut in 2002, conducting Il Trovatore to great acclaim, and since then has led Met productions of The Tales of Hoffmann, Sicilian Vespers, The Barber of Seville, and La Bohème. He conducted Romeo and Juliet at the Los Angeles Opera in 2005, with Rolando Villazon and Anna Netrebko in the title roles. This summer Mr. Chaslin will return to the Vienna State Opera for La Juive with Neil Shicoff, and will open Italy’s Macerata Festival with Gounod's Faust, staged by Pier Luigi Pizzi. Next season he will be back in Vienna, conducting Werther with Jonas Kaufmann.
With a symphonic and operatic repertoire that ranges from Bach to contemporary music and drawing on his experience working with Barenboim in Bayreuth, he led a complete Ring cycle in Hanover. In Mannheim he conducted other Wagner operas including Tristan und Isolde and Tannhäuser as well as all of Richard Strauss’s major works.
Among his performances as pianist, Mr. Chaslin appeared with the Vienna Philharmonic in Beethoven’s Piano Concerto No. 5, and from the keyboard he conducted Ravel’s G Major Concerto in Nagoya, Japan.
Mr. Chaslin considers the renewal of the repertoire an absolute priority, and has been involved in more than twenty world premieres of contemporary works. He addresses this topic in his latest book, Music in Every Sense, an in-depth look at aspects of modern music and its relationship with the audience. Already published in French and German, the book will soon appear in English.
As a composer, Mr. Chaslin has written orchestral pieces, movie soundtracks, and operas. Among his compositions are the Chagall Suite for Orchestra, whose Carnegie Hall world premiere was performed by the Jerusalem Symphony, “Diva Dance” for the film The Fifth Element, the opera Wuthering Heights, which has been partially recorded by the London Philharmonia and the London Symphony chorus and song cycles based on the poetry of Robert Frost. Works-in-progress include the chamber opera, La Morte Amoureuse, based on the supernatural novella by Theophile Gautier and a new symphony.
Conductor, pianist, composer and author, Frédéric Chaslin was born in Paris and educated at the Paris Conservatoire and the Salzburg Mozarteum. He began his conducting career in 1989 as assistant to Daniel Barenboim in Paris Cand Bayreuth. He became Pierre Boulez’s assistant at the Ensemble Intercontemporain in Paris in 1991.
Mr. Chaslin served four seasons with the Santa Fe Opera Festival making his Santa Fe Opera debut in 2009 conducting Verdi’s La Traviata and then opening the 2011 season with conducting Gounod’s Faust. Subsequently he was named the company’s Chief Conductor, and led Rossini's Maometto II and Puccini's Tosca.
Major international festivals and opera companies at which Mr. Chaslin has appeared include leading houses in New York, Berlin, Munich, Leipzig, Madrid, Barcelona, Rome, Venice, Scotland, and Wales. He has also led all the major Parisian orchestras, the Vienna Symphony and Philharmonic, the Manchester Hallé, and the London Symphony and Philharmonia.
Mr. Chaslin, who served as music director at Rouen Opera for three years, made his international début in 1993 at Austria’s Bregenz Festival, where he conducted for four seasons and collaborated with David Pountney on notable productions of Nabucco and Fidelio. He served as the chief conductor of the Jerusalem Symphony Orchestra from 1999 to 2002, and was a resident conductor at the Vienna Staatsoper starting in 1997, conducting more than 110 performances of major repertory. He was named general music director of Germany’s Nationaltheater Mannheim in 2005. Mr. Chaslin recently completed a series of Tosca performances for the New National Tokyo Theatre and will return there in the fall of 2010 to conduct Andrea Chénier.
Mr. Chaslin made his Metropolitan Opera debut in 2002, conducting Il Trovatore to great acclaim, and since then has led Met productions of The Tales of Hoffmann, Sicilian Vespers, The Barber of Seville, and La Bohème. He conducted Romeo and Juliet at the Los Angeles Opera in 2005, with Rolando Villazon and Anna Netrebko in the title roles. This summer Mr. Chaslin will return to the Vienna State Opera for La Juive with Neil Shicoff, and will open Italy’s Macerata Festival with Gounod's Faust, staged by Pier Luigi Pizzi. Next season he will be back in Vienna, conducting Werther with Jonas Kaufmann.
With a symphonic and operatic repertoire that ranges from Bach to contemporary music and drawing on his experience working with Barenboim in Bayreuth, he led a complete Ring cycle in Hanover. In Mannheim he conducted other Wagner operas including Tristan und Isolde and Tannhäuser as well as all of Richard Strauss’s major works.
Among his performances as pianist, Mr. Chaslin appeared with the Vienna Philharmonic in Beethoven’s Piano Concerto No. 5, and from the keyboard he conducted Ravel’s G Major Concerto in Nagoya, Japan.
Mr. Chaslin considers the renewal of the repertoire an absolute priority, and has been involved in more than twenty world premieres of contemporary works. He addresses this topic in his latest book, Music in Every Sense, an in-depth look at aspects of modern music and its relationship with the audience. Already published in French and German, the book will soon appear in English.
As a composer, Mr. Chaslin has written orchestral pieces, movie soundtracks, and operas. Among his compositions are the Chagall Suite for Orchestra, whose Carnegie Hall world premiere was performed by the Jerusalem Symphony, “Diva Dance” for the film The Fifth Element, the opera Wuthering Heights, which has been partially recorded by the London Philharmonia and the London Symphony chorus and song cycles based on the poetry of Robert Frost. Works-in-progress include the chamber opera, La Morte Amoureuse, based on the supernatural novella by Theophile Gautier and a new symphony.
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Piano Version of Gypsy Dance
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